stand upon my rights: search me; or
search this person, of whom I know too little. (_Smiting his brow._) By
heaven, I see it all! This morning----(_To BERTRAND._) How, sir, did
you dare to flaunt your booty in my very face? (_To BRIGADIER._) He
showed me notes; he was up ere day; search him, and you'll find. There
stands the murderer.
BERTRAND. O, Macaire! (_He is seized and searched and the notes are
found._)
BRIGADIER. There is blood upon the notes. Handcuffs. (_MACAIRE edging
towards the door._)
BERTRAND. Macaire, you may as well take the bundle. (_MACAIRE is stopped
by sentry, and comes front, R._)
CHARLES (_re-appearing_). Stop, I know the truth. (_He comes down._)
Brigadier, my father is not dead. He is not even dangerously hurt. He
has spoken. There is the would-be assassin.
MACAIRE. Hell! (_He darts across to the staircase, and turns on the
second step, flashing out the knife._) Back, hounds! (_He springs up the
stair, and confronts them from the top._) Fools, I am Robert Macaire!
(_As MACAIRE turns to flee, he is met by the Gendarme coming out of
Number Thirteen; he stands an instant checked, is shot from the stage,
and falls headlong backward down the stair. BERTRAND, with a cry, breaks
from the Gendarmes, kneels at his side, and raises his head._)
BERTRAND. Macaire, Macaire, forgive me. I didn't blab; you know I didn't
blab.
MACAIRE. Sold again, old boy. Sold for the last time; at least, the last
time this side death. Death----what is death? (_He dies._)
CURTAIN
PRINTED BY CASSELL AND COMPANY, LIMITED, LA BELLE SAUVAGE, LONDON, E.C.
End of the Project Gutenberg EBook of The Works of Robert Louis Stevenson,
Volume XV, by Robert Louis Stevenson
*** END OF THIS PROJECT GUTENBERG EBOOK WORKS OF R.L. STEVENSON ***
***** This file should be named 30643.txt or 30643.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/0/6/4/30643/
Produced by Jonathan Ingram, Marius Borror and the Online
Distributed Proofreading Team at http://www.pgdp.net
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in
|