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most critical little dinner to her husband's family, and attires herself (see cover) like a circus-rider, simply is not giving matrimony a fair chance. Moreover I seem to observe that Mr. ANDREW SOUTAR thinks this was rather sporting in his heroine. He certainly loads the dice in her favour, for, when the inevitable had happened and _Martin_ and _Fauvette_ had separated, the lady sought the consolations of literature and became (as heroines will) the sensation of the hour. Though _The Green Orchard_ is a brisk easy-running tale fidelity to life is hardly its strong point. Of course it was not to be expected that _Fauvette_ would escape being adored by _Martin's_ best friend; the real touch of originality is the final reward of this kind gentleman. For my own part I certainly expected--but to tell you that would be to betray what doesn't happen. The whole affair is a pleasant respite from actuality: more, I fear, it would be impossible to say. * * * * * [Illustration: _Kind Old Lady._ "I SEE THERE IS AN URGENT APPEAL FOR MORE LITERATURE FOR OUR FIGHTING MEN. I THOUGHT SOME LONELY SOLDIER OR SAILOR MIGHT LIKE TO REVIVE MEMORIES OF THE DEAR HOMELAND WITH THIS VOLUME OF THE POST OFFICE DIRECTORY FOR 1899."] * * * * * From the description of a polar-bear's escapade in the Edinburgh "Zoo":-- "The keepers now appeared, and with the assistance of of gun-firing and much noise the animal was quietly shepherded back to its accustomed place of confinement." _North British Agriculturist._ "Quietly" was a happy thought. End of the Project Gutenberg EBook of Punch, or the London Charivari, Vol. CL, April 26, 1916, by Various *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH-CHARIVARI, APRIL 26, 1916 *** ***** This file should be named 30575.txt or 30575.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/5/7/30575/ Produced by Ritu Aggarwal, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying
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