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ce married, and his second wife survived him. That forlorn lady had much to endure from the first family, and notably from the wife of Macalpine's eldest son and heir. The widow took a very dramatic way of publicly showing her grievances. Once after the service in the kirk was over, she stepped up, with her fan in her hand, to the corner of the kirkyard, and, taking off her high-heeled slipper, she tapped with it on the stone laid over her husband's grave, crying out through her tears, "_Macalpine! Macalpine! rise up for ae half-hour and see me richted!_" A diverting legend explains the _low-lying situation of Ballindalloch Castle_, a beautiful specimen of baronial architecture, standing near the junction of the Spey and the Avon. In planning the place, somewhere about 1545, the laird fully intended to secure a wide prospect, and to that end, chose a commanding site. But his views did not commend themselves to the Powers of the Air, and the masons could make no progress. Every night, when the workers had retired from building the walls, a prodigious gale came roaring from the summit of Ben Rinnes and swept stones and mortar into the bed of the Avon. The laird, sorely puzzled at this strange phenomenon, lay in watch one night, with the result that he was blown off his feet, and landed right up among the branches of a holly-tree. Having taken the conceit out of the laird in this abrupt way, the Mysterious Power, chuckling in fiendish fashion, called out "_Build on the cow-haugh_." Frightened out of his wits, the laird was only too glad to comply. THE WISHING WELL. Round the old Castle of Rothes clings a legend of a more pathetic kind. "Fierce wars and faithful loves shall moralise my song," says Spenser, and it is with these well-worn but ever-fresh subjects that the story deals. The heiress of one of the old lairds of Rothes, being allowed to roam at will with her foster-mother, cast an eye of love on the son of the laird of Arndilly. As in ballad lore, the love seems to have been immediate, reciprocal, and unquenchable. The girl's father, hearing of the attachment, summarily forbade it, and commanded his daughter to turn her back on young Arndilly, and take a different road in future. But as journeys end in lovers meeting, the two young people, by whatever way they set out, invariably met at the _Wishing Well_. A sad severance came, however, for young Arndilly, like so many mediaeval knights of song who had fait
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