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Project Gutenberg's Observations on the Florid Song, by Pier Francesco Tosi This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Observations on the Florid Song or Sentiments on the Ancient and Modern Singers Author: Pier Francesco Tosi Translator: Johann Ernest Galliard Release Date: August 29, 2008 [EBook #26477] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK OBSERVATIONS ON THE FLORID SONG *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net [The spelling of the original has been retained.] OBSERVATIONS ON THE Florid Song; OR, SENTIMENTS ON THE _Ancient_ and _Modern_ SINGERS, Written in _Italian_ By PIER. FRANCESCO TOSI, Of the _Phil-Harmonic_ Academy at _Bologna_. Translated into _English_ By Mr. _GALLIARD_. Useful for all PERFORMERS, _Instrumental_ as well as _Vocal_. To which are added EXPLANATORY ANNOTATIONS, and Examples in MUSICK. _Ornari Res ipsa negat, contenta doceri._ _LONDON_: Printed for J. WILCOX, at _Virgil's_ Head, in the _Strand_. 1743. _Note_, By the _Ancient_, our Author means those who liv'd about thirty or forty Years ago; and by the _Modern_ the late and present Singers. N.B. _The Original was printed at_ Bologna, _in the Year_ 1723. _Reprinted from the Second Edition by_ WILLIAM REEVES Bookseller Ltd., 1a Norbury Crescent, London, S.W. 16 1967 Made in England [Illustration] TO ALL Lovers of MUSICK. LADIES and GENTLEMEN, Persons of Eminence, Rank, Quality, and a distinguishing Taste in any particular Art or Science, are always in View of Authors who want a Patron for that Art or Science, which they endeavour to recommend and promote. No wonder therefore, I should have fix'd my Mind on You, to patronize the following Treatise. If there are Charms in Musick in general, all the reasonable World agrees, that the _Vocal_ has the Pre-eminence, both from _Nature_ and _Art_ above the Instrumental: From _Nature_ because without doubt it was the first; from _Art_, because thereby the Voice may be brought to express Sounds with greater Nicety and Exactness than Instruments. Th
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