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heir strange mummeries, they have set the outstretched fancy in amazement. A deep silence reigns behind this curtain; no one once within it will answer those he has left without; all you can hear is a hollow echo of your question, as if you shouted into a chasm. To the other side of this curtain we are all bound: men grasp hold of it as they pass, trembling, uncertain who may stand within it to receive them, _quid sit id quod tantum morituri vident_. Some unbelieving people there have been, who have asserted that this curtain did but make a mockery of men, and that nothing could be seen because nothing _was_ behind it: but to convince these people, the rest have seized them, and hastily pushed them in.'[11] [Footnote 11: _Der Geisterseher_, Schillers Werke, B. iv. p 350.] The _Philosophic Letters_ paint the struggles of an ardent, enthusiastic, inquisitive spirit to deliver itself from the harassing uncertainties, to penetrate the dread obscurity, which overhangs the lot of man. The first faint scruples of the Doubter are settled by the maxim: 'Believe nothing but thy own reason; there is nothing holier than truth.' But Reason, employed in such an inquiry, can do but half the work: she is like the Conjuror that has pronounced the spell of invocation, but has forgot the counter-word; spectres and shadowy forms come crowding at his summons; in endless multitudes they press and hover round his magic circle, and the terror-struck Black-artist cannot lay them. Julius finds that on rejecting the primary dictates of feeling, the system of dogmatical belief, he is driven to the system of materialism. Recoiling in horror from this dead and cheerless creed, he toils and wanders in the labyrinths of pantheism, seeking comfort and rest, but finding none; till, baffled and tired, and sick at heart, he seems inclined, as far as we can judge, to renounce the dreary problem altogether, to shut the eyes of his too keen understanding, and take refuge under the shade of Revelation. The anxieties and errors of Julius are described in glowing terms; his intellectual subtleties are mingled with the eloquence of intense feeling. The answers of his friend are in a similar style; intended not more to convince than to persuade. The whole work is full of passion as well as acuteness; the impress of a philosophic and poetic mind striving with all its vast energies to make its poetry and its philosophy agree. Considered as exhibiting th
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