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is inaccessible. Silently, and always with that methodical step, she moves toward the fireplace, and still a little further, until she stands on that eventful spot where he had given up all claim to her, and thrown her back upon herself. There is the very square on the carpet where she stood some hours ago. There she stands now. To her right is the chair on which she had leaned in great bitterness of spirit, trying to evoke help and strength from the dead oak. Now, in her dreams, as if remembering that past scene, she puts out her hands a little vaguely, a little blindly, and, the chair not being where in her vision she believes it to be, she gropes vaguely for it in a troubled fashion, the little trembling hands moving nervously from side to side. It is a very, sad sight, the sadder for, the mournful change that crosses the face of the sleeping girl. The lips take a melancholy curve: the long lashes droop over the sightless eyes, a long, sad sigh escapes her. Dysart, his heart beating wildly, makes a movement toward her. Whether the sound of his impetuous footstep disturbs her dream, or whether the coming of her fingers in sudden contact with the edge of the table does it, who can tell; she starts and wakens. At first she stands as if not understanding, and then, with a terrified expression in her now sentient eyes, looks hurriedly around her. Her eyes meet Dysart's. "Don't be frightened," begins he quickly. "How did I come here?" interrupts she, in a voice panic-stricken. "I was upstairs; I remember nothing. It was only a moment since that I----Was I asleep?" She gives a hasty furtive glance at the pretty loose white garment that enfolds her. "I suppose so," says Dysart. "You must have had some disturbing dream, and it drove you down here. It is nothing. Many people walk in their sleep." "But I never. Oh! what is it?" says she, as if appealing to him to explain herself to herself. "Was," faintly flushing, "any one else here? Did any one see me?" "No one. They are in bed; all asleep." "And you?" doubtfully. "I couldn't sleep," returns he slowly, gazing fixedly at her. "I must go," says she feverishly. She moves rapidly toward the door; her one thought seems to be to get back to her own room. She looks ill, unstrung, frightened. This new phase in her has alarmed her. What if, for the future, she cannot even depend upon herself?--cannot know where her mind will carry her when deadly sleep has
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