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ld directions read. The garter was, indeed, originally the most important emblem of the entire garb. It symbolized to the wearers that "as by their Order, they were join'd in a firm League of Amity and Concord, so by their Garter, as by a fast Tye of Affection, they were obliged to love one another." The garter was blue, fastened with a gold buckle, and on it was inscribed the motto, "Honi soit qui mal y pense" [Evil to him who evil thinks]. A miniature representation of the garter encircles the cross in the centre of the star, and also forms a border of the "George" medallion. From the broad lace collar to the high-heeled shoes with their huge rosettes, the young man of the picture represents the height of the prevailing fashion. His hair is carefully curled in the manner of the Cavaliers. He is in fact the impersonation of the court life of the period. It is pleasant to fancy the graceful youth moving through the stately figures of the court dances. [Illustration: JAMES STUART, DUKE OF LENNOX AND RICHMOND _Metropolitan Art Museum, New York_] It was five years after this portrait was painted that the Duke of Lennox married Mary, the daughter of the first Duke of Buckingham. Then followed the troubles in Scotland caused by the king's persistent attempt to force the liturgy of the Church of England upon the people. Lennox now showed himself a stanch adherent of the Crown, and upheld the royal cause in the face of the bitter opposition of the Scotch. His enemies thought him very haughty and severe in his manner, but his probity and sincerity seem not to have been questioned. In 1641, he was created Duke of Richmond, and in the same year was appointed to the high office of Lord Steward of the Household. Throughout the civil war he served his royal master with untiring faithfulness, devoting a large part of his fortune to the cause of the Crown. When Charles was held a prisoner in Hampton Court, it was this friend who cheered the period of his confinement. When at last, after the execution of the king, the royal remains were buried at Windsor, the Duke of Richmond was one of the four noblemen who sorrowfully bore the pall to the grave. He died in the prime of manhood, in 1655. A more loyal follower no king could have, yet, notwithstanding his zeal, the Duke of Lennox and Richmond failed to exert any great influence upon history, because he lacked the necessary judgment and decision of character. His portrait ce
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