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rk Apartment. Painted Furniture, Antique and Reproductions. PLATE XXIV Example of Lack of Balance in Mantel Arrangement. PLATE XXV Treatment of Ground Lying Between House and Much Travelled Country Road. PLATE XXVI An Extension Roof in New York Converted into a Balcony. PLATE XXVII A Common-place Barn Made Interesting. PLATE XXVIII Narrow Entrance Hall of a New York Antique Shop. PLATE XXIX Example of a Charming Hall Spoiled by Too Pronounced a Rug. PLATE XXX A Man's Library. PLATE XXXI A Collection of Empire Furniture, Ornaments, and China. PLATE XXXII Italian Reproductions in Pottery After Classic Models. "Those who duly consider the influence of the _fine-arts_ on the _human mind_, will not think it a small benefit to the world, to diffuse their productions as wide, and preserve them as long as possible. The multiplying of copies of fine work, in beautiful and durable materials, must obviously have the same effect in respect to the arts as the invention of printing has upon literature and the sciences: by their means the principal productions of both kinds will be forever preserved, and will effectually prevent the return of ignorant and barbarous ages." JOSIAH WEDGWOOD: Catalogue of 1787. One of the most joyful obligations in life should be the planning and executing of BEAUTIFUL HOMES, keeping ever in mind that distinction is not a matter of scale, since a vast palace may find its rival in the smallest group of rooms, provided the latter obeys the law of _good line, correct proportions, harmonious colour scheme and appropriateness_: a law insisting that all useful things be beautiful things. THE ART OF INTERIOR DECORATION CHAPTER I HOW TO REARRANGE A ROOM Lucky is the man or woman of taste who has no inherited eyesores which, because of association, must not be banished! When these exist in large numbers one thing only remains to be done: look them over, see to what period the majority belong, and proceed as if you _wanted_ a mid-Victorian, late Colonial or brass-bedstead room. To rearrange a room successfully, begin by taking everything out of it (in reality or in your mind), then decide how you want it to look, or how, owing to what you own and must retain, you are obliged to have it look. Design and colour of wall decorations, hangings, carpets, lighting fixtures, lamps and ornaments on mantel, depend upon the
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