apes, and peacocks, could satisfy. If he loved the
kaleidoscopic East, he also knew his Spain. We have seen at the
Pennsylvania Academy of Fine Arts a tiny picture, the court-yard of a
Spanish inn through which passes a blinding shaft of sunlight, which
would make envious Senor Sorolla. Fortuny has personal charm, a
quality usually missing nowadays, for painters in their desire to be
truthful are tumbling head over heels into the prosaic. Individuality
is vanishing in the wastes of an over-anxious realism. If Fortuny is a
daring virtuoso on one or two strings, his palette is ever enchanting.
Personally he was a handsome man, with a distinguished head, his body
broad and muscular and capable of enduring fatigues that would have
killed most painters. Allied to this powerful physique was a seductive
sensibility. This peasant-born painter was an aristocrat of art. Old
Mother Nature is an implacable ironist.
SOROLLA Y BASTIDA
We might say of the Spanish painter Joaquin Sorolla y Bastida that he
was one of those who came into the world with a ray of sunshine in
their brains--altering the phrase of Villiers de l'Isle Adam. Senor
Sorolla is also one of the half-dozen (are there so many?) great
living painters. He belongs to the line of Velasquez and Goya, and he
seldom recalls either. Under the auspices of the Hispanic Society of
America there was an exhibition of his works in 1909, some two hundred
and fifty in all, hung in the museum of the society, West 156th
Street, near Broadway. The liveliest interest was manifested by the
public and professional people in this display. Those who saw
Sorolla's art at the Paris Exposition, 1900, and at the Georges Petit
Gallery, Paris, a few years ago need not be reminded of his virile
quality and masterly brush-work. Some art lovers in this city are
aware of his Sad Inheritance, the property of Mr. John E. Berwind,
which has been hung in the Sunday-school room of the Ascension Church,
Fifth Avenue and Tenth Street. It is one of the artist's few pictures
in which he feels the _Weltschmerz_. His is a nature bubbling over
with health and happiness.
He is a Valencian, was born in 1863 of poor parents, and by reason of
his native genius and stubborn will power he became what he is--the
painter of vibrating sunshine without equal. Let there be no mincing
of comparisons in this assertion. Not Turner, not Monet painted so
directly blinding shafts of sunlight as has this Spaniard.
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