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York. Sheldon & Co. 16mo. pp. 288. 75 cts. Garret Van Horn: or, The Beggar on Horseback. By John S. Sauzade. New York. G.W. Carleton. 12mo. pp. 376. $1.25. Notes, Criticisms, and Correspondence upon Shakspeare's Plays and Actors. By James Henry Hackett. New York. G.W. Carleton. 12mo. pp. 353. $1.50. Tactics: or, Cupid in Shoulder-Straps. A West-Point Love-Story. By Hearton Drille, U.S.A. New York. G.W. Carleton. 12mo. paper, pp. 250. 75 cts. Aurora Floyd, from "Temple Bar." By Miss M.E. Braddon. Philadelphia. T.B. Peterson & Brothers. 8vo. paper, pp. 270. 50 cts. Thirty-Nine Men for One Woman. An Episode of the Colonization of Canada. By H. Emille Chevalier. New York. John Bradburn. 16mo. paper, pp. xii., 310. 50 cts. The Prisoner of State. By D.A. Mahony. New York. G.W. Carleton. 12mo. pp. 414. $1.25. Lulu. A Tale of the National-Hotel Poisoning. By Mansfield T. Walworth. New York. G.W. Carleton. 12mo. pp. 420. $.25. Spectacles for Young Eyes. Pekin. By Sarah W. Lander. Boston. Walker, Wise, & Co. 16mo. pp. 218. 75 cts. The Pioneer Boy, and how He became President. By William M. Thayer, Author of "The Bobbin Boy," etc. Boston. Walker, Wise, & Co. 16mo. pp. 310. $1.00. The Last Times and the Greate Consummation. An Earnest Discussion of Momentous Themes. By Joseph A. Seiss, D.D., Author of "The Day of the Lord," etc. Philadelphia. Smith, English, & Co. 12mo. pp. 438. $1.25. The Great Consummation. The Millennial Rest; or, The World as it will be. By the Rev. John Gumming, D.D., F.R.S.E. First Series. New York. G.W. Carleton. 12mo. pp. 307. $1.00. Union Foundations: A Study of American Nationality as a Fact of Science. By Captain E.B. Hunt, Corps of Engineers, U.S.A. New York. D. Van Nostrand. 8vo. paper, pp. 62. 30 cts. ***END OF THE PROJECT GUTENBERG EBOOK ATLANTIC MONTHLY, VOLUME 11, ISSUE 67, MAY, 1863*** ******* This file should be named 13026.txt or 13026.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.net/1/3/0/2/13026 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of t
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