per could do for him
was to secure peculiar privileges at the alms-house, and surround him
with, all the little comforts that help to alleviate illness. He visited
him very often, until the day of his death, and his sympathy and kind
attentions were always received with heartfelt gratitude.

THE MUSICAL BOY.

One day when Friend Hopper visited the prison, he found a dark-eyed lad
with a very bright expressive countenance His right side was palsied, so
that the arm hung down useless. Attracted by his intelligent face, he
entered into conversation with him, and found that he had been palsied
from infancy. He had been sent forth friendless into the world from an
alms-house in Maryland. In Philadelphia, he had been committed to prison
as a vagrant, because he drew crowds about him in the street by his
wonderful talent of imitating a hand-organ, merely by whistling tunes
through his fingers. Friend Hopper, who had imbibed the Quaker idea that
music was a useless and frivolous pursuit, said to the boy, "Didst thou
not know it was wrong to spend thy time in that idle manner?"

With ready frankness the young prisoner replied, "No, I did not; and I
should like to hear how _you_ can prove it to be wrong. God has given
you sound limbs. Half of my body is paralyzed, and it is impossible for
me to work as others do. It has pleased God to give me a talent for
music. I do no harm with it. It gives pleasure to myself and others, and
enables me to gain a few coppers to buy my bread. I should like to have
you show me wherein it is wrong."

Without attempting to do so, Friend Hopper suggested that perhaps he had
been committed to prison on account of producing noise and confusion in
the streets.

"I make no riot," rejoined the youth. "I try to please people by my
tunes; and if the crowd around me begin to be noisy, I quietly walk
off."

Struck with the good sense and sincerity of these answers, Friend Hopper
said to the jailor, "Thou mayest set this lad at liberty. I will be
responsible for it."

The jailer relying on his well-known character, and his intimacy with
Robert Wharton, the mayor, did not hesitate to comply with his request.
At that moment, the mayor himself came in sight, and Friend Hopper said
to the lad, "Step into the next room, and play some of thy best tunes
till I come."

"What's this?" said Mr. Wharton. "Have you got a hand-organ here!"

"Yes," replied Friend Hopper; "and I will show it to thee. It is