(emphatically) by a false preceding step;
and having youth to plead for it, in the first instance, youth and
ignorance; and secondly, and O how deeply truly! Love. Deep true love,
proved by years, is the advocate.
He tells himself at the same time, after lending ear to the advocate's
exordium and a favourite sentence, that, judged by the Powers (to them
only can he expose the whole skeleton-cupboard of the case), judged by
those clear-sighted Powers, he is exonerated.
To be exonerated by those awful Powers, is to be approved.
As to that, there is no doubt: whom they, all-seeing, discerning as they
do, acquit they justify.
Whom they justify, they compliment.
They, seeing all the facts, are not unintelligent of distinctions, as
the world is.
What, to them, is the spot of the error?--admitting it as an error.
They know it for a thing of convention, not of Nature. We stand forth to
plead it in proof of an adherence to Nature's laws: we affirm, that far
from a defilement, it is an illumination and stamp of nobility. On the
beloved who shares it with us, it is a stamp of the highest nobility.
Our world has many ways for signifying its displeasure, but it cannot
brand an angel.
This was another favourite sentence of Love's grand oration for the
defence. So seductive was it to the Powers who sat in judgement on the
case, that they all, when the sentence came, turned eyes upon the angel,
and they smiled.
They do not smile on the condemnable.
She, then, were he rebuked, would have strength to uplift him. And who,
calling her his own, could be placed in second rank among the blissful!
Mr. Radnor could rationally say that he was made for happiness; he
flew to it, he breathed, dispensed it. How conceive the clear-sighted
celestial Powers as opposing his claim to that estate? Not they. He
knew, for he had them safe in the locked chamber of his breast, to yield
him subservient responses. The world, or Puritanic members of it, had
pushed him to the trial once or twice--or had put on an air of doing
so; creating a temporary disturbance, ending in a merry duet with his
daughter Nesta Victoria: a glorious trio when her mother Natalia, sweet
lily that she was, shook the rainwater from her cup and followed the
good example to shine in the sun.
He had a secret for them.
Nesta's promising soprano, and her mother's contralto, and his
baritone--a true baritone, not so well trained as their accurate
notes--should be
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