joyed
portrait-sittings. He could talk and smoke, and he could incidentally
acquire information. He liked to discuss any man's profession with him,
and in his talks with Flagg he made a sincere effort to get that insight
which would enable him to appreciate the old masters. Flagg found him
a tractable sitter, and a most interesting one. Once he paid him a
compliment, then apologized for having said the obvious thing.

"Never mind the apology," said Clemens. "The compliment that helps us on
our way is not the one that is shut up in the mind, but the one that is
spoken out."

When Flagg's portrait was about completed, Mrs. Clemens and Mrs. Crane
came to the studio to look at it. Mrs. Clemens complained only that the
necktie was crooked.

"But it's always crooked," said Flagg, "and I have a great fancy for the
line it makes."

She straightened it on Clemens himself, but it immediately became
crooked again. Clemens said:

"If you were to make that necktie straight people would say; 'Good
portrait, but there is something the matter with it. I don't know where
it is.'"

The tie was left unchanged.

CLXXIV. THE MACHINE

The reader may have realized that by the beginning of 1891 Mark Twain's
finances were in a critical condition. The publishing business had
managed to weather along. It was still profitable, and could have been
made much more so if the capital necessary to its growth had not been
continuously and relentlessly absorbed by that gigantic vampire of
inventions--that remorseless Frankenstein monster--the machine.

The beginning of this vast tragedy (for it was no less than that) dated
as far back as 1880, when Clemens one day had taken a minor and purely
speculative interest in patent rights, which was to do away with setting
type by hand. In some memoranda which he made more than ten years later,
when the catastrophe was still a little longer postponed, he gave some
account of the matter.

This episode has now spread itself over more than one-fifth of my
life, a considerable stretch of time, as I am now 55 years old.

Ten or eleven years ago Dwight Buell, a jeweler, called at our house
and was shown up to the billiard-room-which was my study; and the
game got more study than the other sciences. He wanted me to take
some stock in a type-setting machine. He said it was at the Colt's
Arms factory, and was about finished. I took $2,000 of the stock.
I was always takin