sion entitles her to our
respect. One feels drawn tenderly toward her and is moved to forget her
many crimes and remember only the good deed that crowned and closed her
career.

"The Fairy was never more seen; but her enchanting tones have often been
heard. In the beautiful, refreshing, still nights of spring, when the
moon pours her silver light over the Country, the listening shipper
hears from the rushing of the waves, the echoing Clang of a wonderfully
charming voice, which sings a song from the crystal castle, and with
sorrow and fear he thinks on the young Count Hermann, seduced by the
Nymph."

Here is the music, and the German words by Heinrich Heine. This song has
been a favorite in Germany for forty years, and will remain a favorite
always, maybe. [Figure 5]

I have a prejudice against people who print things in a foreign language
and add no translation. When I am the reader, and the author considers
me able to do the translating myself, he pays me quite a nice
compliment--but if he would do the translating for me I would try to get
along without the compliment.

If I were at home, no doubt I could get a translation of this poem, but
I am abroad and can't; therefore I will make a translation myself. It
may not be a good one, for poetry is out of my line, but it will serve
my purpose--which is, to give the unGerman young girl a jingle of words
to hang the tune on until she can get hold of a good version, made by
some one who is a poet and knows how to convey a poetical thought from
one language to another.

THE LORELEI

I cannot divine what it meaneth,
This haunting nameless pain:
A tale of the bygone ages
Keeps brooding through my brain:

The faint air cools in the glooming,
And peaceful flows the Rhine,
The thirsty summits are drinking
The sunset's flooding wine;

The loveliest maiden is sitting
High-throned in yon blue air,
Her golden jewels are shining,
She combs her golden hair;

She combs with a comb that is golden,
And sings a weird refrain
That steeps in a deadly enchantment
The list'ner's ravished brain:

The doomed in his drifting shallop,
Is tranced with the sad sweet tone,
He sees not the yawning breakers,
He sees but the maid alone:

The pitiless billows engulf him!--
So perish sailor and bark;
And this, with her baleful singing,
Is the Lore