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untz, is a poem of great merit despite the doubtful rhyme of =way= and =quality= in the last stanza. Miss Mappin, in her article on Milton, displays her ample knowledge of literary history, and even more than her customary fluency. "The Contented Robin," a poem by Margaret Mahon, is apt, pleasing and harmonious; whilst Miss Trafford's brief jingle is quaint and clever. "Spring," by Randolph Trafford (aetat 10) is full of the exuberant vigour of youth, and speaks well for the future of this bright young bard. * * * * * =The Little Budget= for June gains distinction from Henry Clapham McGavack's brilliant essay on American Anglophobia, entitled "Blood is not Thicker Than Water." This acute analysis of anti-British sentiment among certain classes in the States reveals a lamentable result of bigotry and historical ignorance; which may, we hope, be cured by the new bonds of alliance betwixt the Old and the New Englands. As Mr. McGavack well demonstrates, most of our Anglophobia is manufactured by the alleged "historians" who poison the minds of the young through mendacious textbooks. This species of false teaching, an evil potently fostered by the Fenians and Sinn Feiners who lurk serpent-like in our midst, is one which cannot too soon be eradicated; for the cultural identity and moral unity of the States and the Empire make such sources of unintelligent prejudice increasingly nauseous and detrimental. We may add that the textbook treatment of our War between the States is almost equally unfair, the Northern cause being ridiculously exalted above the brave and incredibly high-minded attitude of the Confederacy. Another delightful prose contribution is "Back to Blighty," by Joseph Parks, a vivid vignette of one phase of military life. "Trinidad and its Forests," by F. E. M. Hercules, is marked by its author's customary ease of expression and felicity of diction; presenting many facts of general interest. The poetry in this issue includes work from the pens of J. E. Hoag, H. P. Lovecraft, Rev. Eugene B. Kuntz, Beryl Mappin, and the Editor. Dr. Kuntz's lines to the memory of Phillips Gamwell are animated with a nobility which well befits their subject, though the rhyme of =day= and =melody= is not strictly correct. Few amateur poets are able to achieve the sonorous dignity which Dr. Kuntz imparts to his flowing Alexandrines, or to select with equal appropriateness the vivid and musical words
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