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The wire has first to be cut the desired length, then filed to a point at one end and the other flattened ready for the eye to be drilled, and finally the whole has to be filed up and smoothed off, and all by one man. The Japanese are but indifferent sewers, all their seams exhibiting numerous "holidays." Pretty children, with their hair clipped around their heads like a priest's tonsure, sport around us, but are not intrusive. Each child has a little pouch attached to his girdle, which, we are informed, contains the address of the child's parents, and also an invocation to the little one's protecting god, in case of his straying from home. We meet with cheerful looks and pleasant greetings everywhere. The gentle and musical "_o-hi-o_," "_good day_," with its softly accented second syllable, and as we pass the earnest "_sayonara_," the "_au revoir_" of the French, tell us very plainly we are no unwelcome visitors, whilst their bows are the most graceful, because natural, and therefore unaffected, actions it is possible to conceive. We notice, too, that numbers of the males are in full European costume, which generally hangs about them in a most awkward manner, reminding one of a broom-handle dressed in a frock coat. Others, again, don't discard the national dress altogether, but compromise matters by putting on, in addition to their long gown, a European hat and shoes, which, if anything, looks worse still. The ladies have not yet adopted the European style which, perhaps, they have sense enough to see, is far more complex and inconvenient than their own. Of this much I am certain that no mysterious production of Worth would be more becoming, or suit them better than their own graceful, national dress. At our imperative "_chop_, _chop_," jack's sole stock-in-trade of that intellectual puzzle, the Chinese language, and which he finds equally serviceable this side the water, our Jehus start off like an arrow shot from a bow. What endurance these men possess, and what limbs! After a pleasant half-an-hour's ride, a sudden jolt indicates we are at our destination. We alight at the base of a flight of broad stone stairs leading to the temple, and which we can just discern at a considerable altitude above us, peeping out of the dark shadow of a grove of firs. Arches of a curious and simple design, under which it is necessary to pass, are the distinguishing features of a kami or sintoo temple, and perhaps of Japan itsel
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