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dlike ingenuousness as to suggest that really this too easy spot-stroke should be barred to playwrights), and the idiotic girl promptly engages herself to _Richard_, who is of course in love with a patently naughty married woman. The most reckless of lovers from the moment when in his ardour he (apparently) bites this lady's hand in the First Act, in full view of the family, till he plans a flirtation by the Cheviot postern gate on the very eve of his marriage to _Diana_, he is an obviously doomed villain. The lady is surprised by _George_ in the act of knocking thrice on the said postern within. When three knocks are heard without together with the voice of _Richard_, the _Duke_ really begins to suspect something. Virtuous imbecility prevails over villainous stupidity. The final blow is dealt upon the _Gorndyke_ nose. _Diana_ is retrieved by this last of the safe-guarders, and we are left to a melancholy calculation as to what the mental capacity of their issue is likely to be. [Illustration: THE SOUL'S AWAKENING. _Nalet_, the valet (Mr. LEON QUARTERMAINE), having been dismissed for not calling _George de Lacorfe_ (Sir GEORGE ALEXANDER) in the morning, makes good by waking his master's soul up at one o'clock at night.] A good deal of spontaneous and honest laughter, the best of testimonials, greeted this rather ingenuous extravaganza. I think Mrs. CLIFFORD MILLS would do well not to prolong her mystifications beyond the point when they are quite clear to her audience. May I without boastfulness record that I guessed all about what _Richard_ was going to do with the tiara quite three minutes before a well-known editor in front of me gave away the secret in a hoarse whisper to his neighbour? And that was some time before the author had finished the "preparation" of the business. And may I ask why _Richard_ was forced to so fatuous a contrivance as the pawning of the tiara to make the exigent _Samuels_ stay their hands for a week? True he couldn't tell them about the Cheviot deal, which was a secret between himself and _George_; but he could surely have used the fact of his coming marriage with _Diana's_ money? And why didn't _Diana_ write to her mother and ask her what was the solemn warning about _Richard_ that she had on the tip of her tongue when she was interrupted just before going abroad? There _is_ a mail to Singapore, isn't there? And does a _George_, succeeding to a dukedom, become "_Cheviot_" to his siste
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