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her the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee." When he opened his wondering eyes upon the white walls of the hospital he was feeble and weak in his limbs as an infant, but his brain was unclouded. Gentle hands ministered to him and a woman's voice read him spirit-soothing words from the Gospel of St. John. But the draught had done its work. He lingered some days and then, on Sunday morning, the seventh day of October of the year 1849, his spirit took its flight. His last words were a prayer: "Lord, have mercy on my poor soul!" Many were the friends who rose up to comfort the stricken mother and who hastened to bring rosemary to the poet's grave. But there was one whom he had believed to be his friend--a big man whose big brain he had admired--in whose furtive eye was an unholy glee, about whose thick lips played a smile which slightly revealed his fang-like teeth. To him was entrusted the part of literary executor--it had been The Dreamer's own request. In his power it would lie to give to the world his own account of this man who had said he was no poet and had distanced him in the race for a woman's favor. The day was at hand when Rufus Griswold would have his full revenge upon the fair fame of Edgar the Dreamer. * * * * * "Out--out are the lights--out all! And, over each quivering form, The curtain, a funeral pall, Comes down with the rush of a storm; And the angels, all pallid and wan, Uprising, unveiling, affirm That the play is the tragedy, 'Man,' And its hero the Conqueror Worm." * * * * * Transcriber's note: Minor typographical errors have been corrected. ***END OF THE PROJECT GUTENBERG EBOOK THE DREAMER*** ******* This file should be named 17389.txt or 17389.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/1/7/3/8/17389 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms
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