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and George Sand died, the post of leading novelist has been vacant, although there has been no lack of writers of the second or third, and especially of still lower, rank. Octave Feuillet still produces occasionally a clever piece of workmanship; Cherbuliez at intervals writes a novel which proves how lamentable a thing is the possession of brilliancy alone apart from the seriousness of character, or of some sides of character, which must exist alongside of even high intellectual qualities in order that the man may make a lasting impression on his time. Great gifts frittered away on meaningless trifles are as disappointing as possible, and are the more disappointing in proportion to the greatness of the gifts; so that the decadence of Cherbuliez--or, if this is too severe, his lack of improvement after his brilliant beginning--is a very melancholy thing. Zola is among the younger men, the head of a number of enthusiasts who revel in the exact study of social ordure, and who threaten to destroy fiction by ridding it of what makes its life--imagination, that is--and substituting for it scientific fact. Theuriet is an amiable but by no means a powerful writer, who so far has contented himself with following different models without striking out any special path of his own. Henry Greville is a new author, who has reached by no means the highest, yet a very respectable, place--such as would be a source of gratification to most people. The name signed to her novels is the _nom-de-plume_ of a lady who, as is also apparent from her work, has lived long enough in Russia to become familiar with the people and their ways. _Les Koumiassine_ is a story of Russian life, treating of a rich family whose name gives the title to the novel. The family is one of great wealth, and consists of the Count Koumiassine and his wife, their two children--one a boy of nine or ten, the other a girl half a dozen years older--and a niece of about seventeen. The plot concerns itself with the efforts of the countess to give her niece, whom she values much less than her daughter, a suitable husband. The poor girl is bullied and badgered after the most approved methods of domestic tyranny, and her high-spirited struggle against adverse circumstances makes the book as readable as one could wish. After all, the family is a microcosm, and furnishes frequent opportunity for the practice of good or bad qualities; and the cleverest novel-writers have chosen just
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