aith teaches the Knight his
relations to God; Charity, those to his fellow-men. 12. Explain the lyric
note in l. 378. 13. Give an account of the knight's visit to the Hill of
Contemplation. Explain the allegory. 14. Find a stanza complimentary to
Queen Elizabeth. 16. What prophecy was made of the Knight?

CANTO XI

I. _The Plot_: The Redcross Knight reaches the Brazen Tower in which Una's
parents, the King and Queen of Eden, are besieged by the Dragon. The
monster is described. The first day's fight is described, in which the
Knight is borne through the air in the Dragon's claws, wounds him under the
wing with his lance, but is scorched by the flames from the monster's
mouth. The Knight is healed by a bath in the Well of Life. On the second
day the Knight gives the Dragon several sword-wounds, but is stung by the
monster's tail and forced to retreat by the flames. That night he is
refreshed and healed by the balm from the Tree of Life. On the third day he
slays the Dragon by a thrust into his vitals.

II. _The Allegory_: 1. Mankind has been deprived of Eden by Sin or Satan
(Dragon). The Christian overcomes the devil by means of the whole armor of
God (shield of faith, helmet of salvation, sword of the Spirit, etc.). The
soul is strengthened by the ordinances of religion: baptism, regeneration,
etc.

2. There is a hint of the long and desperate struggle between Reformed
England (St. George) and the Church of Rome, in which the power of the Pope
and the King of Spain was broken in England, the Netherlands, and other
parts of Europe. Some may see a remoter allusion to the delivery of Ireland
from the same tyranny.

13. BE AT YOUR KEEPING WELL, be well on your guard.

iii. This stanza is not found in the edition of 1590.

30. AND SEEMD UNEATH, etc., and seemed to shake the steadfast ground (so
that it became) unstable. Church and Nares take _uneath_ to mean "beneath"
or "underneath"; Kitchin conjectures "almost."

31. THAT DREADFUL DRAGON, symbolical of Satan. Spenser here imitates the
combat between St. George and the Dragon in the _Seven Champions of
Christendom_, i.

32. This description of the dragon watching the tower from the sunny
hillside is justly admired for its picturesqueness, power, and
suggestiveness. The language is extremely simple, but the effect is
awe-inspiring. It has been compared with Turner's great painting of the
Dragon of the Hesperides.

42. O THOU SACRED MUSE, Clio, the Muse of History