o
mediaeval art?

14. Find examples of _Euphuism_, _metaphors_, _similes_, _Latinisms_, and
_alliteration_. 15. Explain the verb forms in ll. 154, 321, 336.

CANTO X

I. _The Plot:_ The Redcross Knight is conducted by Una to the House of
Holiness, where they are welcomed by Dame Coelia and graciously
entertained. The Knight is instructed by Fidelia, Speranza, and Charissa,
the three daughters of Coelia, in his relations to God and his fellow-men.
He is healed in body, and undergoes discipline for his sins. Mercy conducts
him through the Hospital of Good Works, where he sees her seven Beadsmen.
He then with Una climbs the Hill of Contemplation and hears from a holy man
the story of his past with a prophecy of his future, and obtains a view of
the City of Heaven.

This must be pronounced the most beautiful canto of the first book.

II. _The Allegory:_ 1. The Soul is brought by the Truth to a knowledge of
the Heavenly Life (Coelia), and is led, through repentance, to seek
forgiveness and to desire a holier life. Having learned Faith and Hope, it
acquires a zeal for Good Works (Charity), and is strengthened by exercising
Patience and Repentance. At last it enjoys a mood of happy Contemplation of
the past with bright prospects for the future. The whole canto sets forth
the beauty in a life of faith combined with good deeds.

2. The religious allegory presents the doctrine, discipline, and spirit of
Protestantism in the sixteenth century. A close parallel may be drawn
between this canto and many things in Bunyan's _Pilgrim's Progress_. For
his House of Holiness and its management, Spenser has no doubt taken many
suggestions from the great manor house of some Elizabethan gentleman.

19. AN AUNTIENT HOUSE, the House of Holiness.

28. DAME COELIA, i.e. the Heavenly Lady.

33. FIDELIA AND SPERANZA, Faith and Hope.

35. FAIRE CHARISSA, Charity, or Love. _Cf. I Corinthians_, xiii, 13.

44. HIGHT HUMILTA, named Humility.

59. AND KNEW HIS GOOD, etc., and knew how to conduct himself to all of
every rank.

77. EVER-DYING DREAD, constant dread of death.

78. LONG A DAY, many a long day.

79. THY WEARY SOLES TO LEAD, to guide thy weary feet (to rescue them).

xiii. The description of Fidelia is full of biblical allusions, _viz._; her
white robe (_Revelation_, vii, 9); the sacramental cup filled with wine and
water according to the custom of the early Christians (_John_, xix, 34);
the serpent symbolical of healing powe