ing the dwellers therein. There the
celestial ocean poured forth its floods navigated by the sun and moon with
their attendant escort of planets, constellations, and decani; and there
also the genii of the months and days marched in long procession. In the
Ptolemaic age, zodiacs fashioned after Greek models were sculptured side by
side with astronomical tables of purely native origin (fig. 105). The
decoration of the architraves which supported the massive roofing slabs was
entirely independent of that of the ceiling itself. On these were wrought
nothing save boldly cut inscriptions, in which the beauty of the temple,
the names of the builder-kings who had erected it, and the glory of the
gods to whom it was consecrated, are emphatically celebrated. Finally, the
decoration of the lowest part of the walls and of the ceiling was
restricted to a small number of subjects, which were always similar: the
most important and varied scenes being suspended, as it were, between earth
and heaven, on the sides of the chambers and the pylons.
[Illustration: Fig. 105.--Zodiacal circle of Denderah.]
These scenes illustrate the official relations which subsisted between
Egypt and the gods. The people had no right of direct intercourse with the
deities. They needed a mediator, who, partaking of both human and divine
nature, was qualified to communicate with both. The king alone, Son of the
Sun, was of sufficiently high descent to contemplate the god in his temple,
to serve him, and to speak with him face to face. Sacrifices could be
offered only by him, or through him, and in his name. Even the customary
offerings to the dead were supposed to pass through his hands, and the
family availed themselves of his name in the formula _suten ta hotep_ to
forward them to the other world. The king is seen, therefore, in all parts
of the temple, standing, seated, kneeling, slaying the victim, presenting
the parts, pouring out the wine, the milk, and the oil, and burning the
incense. All humankind acts through him, and through him performs its duty
towards the gods. When the ceremonies to be performed required the
assistance of many persons, then alone did mortal subordinates (consisting,
as much as possible, of his own family) appear by his side. The queen,
standing behind him like Isis behind Osiris, uplifts her hand to protect
him, shakes the sistrum, beats the tambourine to dispel evil spirits, or
holds the libation vase or bouquet. The eldest s
|