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mber just as long and as wide as the sarcophagus itself, and about three and a half feet high. This was roofed in with flat slabs. At the end, or in the wall to the right, was a niche, which answered the purpose of a _serdab_; and above the flat roof was next constructed an arch of about one foot and a half radius, the space above the arch being filled in with horizontal courses of brickwork up to the level of the platform. The chamber occupies about two- thirds of the cavity, and looks like an oven with the mouth open. Sometimes the stone walls rest on the lid of the sarcophagus, the chamber having evidently been built after the interment had taken place (fig. 134). Generally speaking, however, these walls rest on brick supports, so that the sarcophagus may be opened or closed when required. The decoration, which is sometimes painted, sometimes sculptured, is always the same. Each wall was a house stocked with the objects depicted or catalogued upon its surface, and each was, therefore, carefully provided with a fictitious door, through which the Double had access to his goods. On the left wall he found a pile of provisions (fig. 135)[29] and a table of offerings; on the end wall a store of household utensils, as well as a supply of linen and perfumes, the name and quantity of each being duly registered. These paintings more briefly sum up the scenes depicted in the chapels of ordinary mastabas. Transferred from their original position to the walls of an underground cellar, they were the more surely guaranteed against such possible destruction as might befall them in chambers open to all comers; while upon their preservation depended the length of time during which the dead man would retain possession of the property which they represented. [27] For an account of the necropolis of Medum, see W.M.F. Petrie's _Medum_. [28] The sarcophagus of Menkara, unfortunately lost at sea when on its way to England, was of this type. See illustration No. 19, Chapter III., in Sir E. Wilson's _Egypt of the Past_.--A.B.E. [29] This wall scene is from the tomb of Nenka, near Sakkarah. For a coloured facsimile on a large scale, see Professor Maspero's article entitled "Trois Annees de Fouilles," in _Memoires de la Mission Archeologique Francaise du Caire_, Pl. 2. 1884.--A.B.E. 2.--THE PYRAMIDS. [For the following translation of this section of Professor Maspero's book I am indebted to the kindness
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