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his collection in his pocket and enjoy it _en route_. I cannot too highly commend his example, and yet his course is too austere for many of us. Has untrammelled curiosity no charms? Would I, for example, forego my casual kakemonos, my ignorantly acquired majolica, some trifling accumulation of Greek coins, that handful of Eastern rugs? Could I prune away certain excrescent minor Whistlers? those bits of ivory cutting from old Italy and Japan? those tarnished Tuscan panels?--in truth, I could and would not. Yet had I stuck to my first love, prints, I should by this time be mentioned respectfully among the initiated, my name would be found in the card-catalogues of the great dealers, my decease would be looked forward to with resignation by my junior colleagues. As it is, after twenty years of collecting, and an expenditure shameful in one of my fiscal estate, I have nothing that even courtesy itself could call a collection. In apology, I may plead only the sting of unchartered curiosity, the adventurous thrill of buying on half or no knowledge, the joy of an instinctive sympathy that, irrespective of boundaries, knows its own when it sees it. And you austerely single-minded amateurs, you experts that surely shall be, I revere if I may not follow you. We have left dangling from the first paragraph the morally important question, Is collecting merely an habitual contravention of the tenth commandment? Now, I am far from denying that collecting has its pathology, even its criminology, if you will. The mere lust of acquisition may take the ugly form of coveting what one neither loves nor understands. This pit is digged for the rich collector. Poor collectors, on the other hand, have at times forgotten where enterprise ends and kleptomania begins. But these excesses are, after all, rare, and for that matter they are merely those that attach to all exaggerations of legitimate passion. As for the notion that one should love beautiful things without desiring them, it seems to me to lie perilously near a sort of pseudo-Platonism, which, wherever it recurs, is the enemy of life itself. As I write, my eye falls upon a Japanese sword-guard. I have seen it a thousand times, but I never fail to feel the same thrill. Out of the disc of blued steel the artisan has worked the soaring form of a bird with upraised wings. It is indicated in skeleton fashion by bars extraordinarily energetic, yet suavely modulated. There must have been fe
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