a
fair representation of the people.

In 1672, Marvell engaged in a controversy with the famous High-Churchman,
Dr. Parker, who had taken the lead in urging the persecution of Non-
conformists. In one of the works of this arrogant divine, he says that
"it is absolutely necessary to the peace and government of the world that
the supreme magistrate should be vested with power to govern and conduct
the consciences of subjects in affairs of religion. Princes may with
less hazard give liberty to men's vices and debaucheries than to their
consciences." And, speaking of the various sects of Non-conformists, he
counsels princes and legislators that "tenderness and indulgence to such
men is to nourish vipers in their own bowels, and the most sottish
neglect of our quiet and security." Marvell replied to him in a severely
satirical pamphlet, which provoked a reply from the Doctor. Marvell
rejoined, with a rare combination of wit and argument. The effect of his
sarcasm on the Doctor and his supporters may be inferred from an
anonymous note sent him, in which the writer threatens by the eternal God
to cut his throat, if he uttered any more libels upon Dr. Parker. Bishop
Burnet remarks that "Marvell writ in a burlesque strain, but with so
peculiar and so entertaining a conduct 'that from the King down to the
tradesman his books were read with great pleasure, and not only humbled
Parker, but his whole party, for Marvell had all the wits on his side.'"
The Bishop further remarks that Marvell's satire "gave occasion to the
only piece of modesty with which Dr. Parker was ever charged, namely, of
withdrawing from town, and not importuning the press for some years,
since even a face of brass must grow red when it is burnt as his has
been."

Dean Swift, in commenting upon the usual fate of controversial pamphlets,
which seldom live beyond their generation, says: "There is indeed an
exception, when a great genius undertakes to expose a foolish piece; so
we still read Marvell's answer to Parker with pleasure, though the book
it answers be sunk long ago."

Perhaps, in the entire compass of our language, there is not to be found
a finer piece of satirical writing than Marvell's famous parody of the
speeches of Charles II., in which the private vices and public
inconsistencies of the King, and his gross violations of his pledges on
coming to the throne, are exposed with the keenest wit and the most
laugh-provoking irony. Charles him