But the musical refrain,--
"Manuela of La Torre."
Yet at night, when winds are still,
Tinkles on the distant hill
A guitar, and words that thrill
Tell to me the old, old story,--
Old when first thy charms were sung,
Old when these old walls were young,
"Manuela of La Torre."

FRIAR PEDRO'S RIDE

It was the morning season of the year;
It was the morning era of the land;
The watercourses rang full loud and clear;
Portala's cross stood where Portala's hand
Had planted it when Faith was taught by Fear,
When monks and missions held the sole command
Of all that shore beside the peaceful sea,
Where spring-tides beat their long-drawn reveille.

Out of the mission of San Luis Rey,
All in that brisk, tumultuous spring weather,
Rode Friar Pedro, in a pious way,
With six dragoons in cuirasses of leather,
Each armed alike for either prayer or fray;
Handcuffs and missals they had slung together,
And as an aid the gospel truth to scatter
Each swung a lasso--alias a "riata."

In sooth, that year the harvest had been slack,
The crop of converts scarce worth computation;
Some souls were lost, whose owners had turned back
To save their bodies frequent flagellation;
And some preferred the songs of birds, alack!
To Latin matins and their souls' salvation,
And thought their own wild whoopings were less dreary
Than Father Pedro's droning miserere.

To bring them back to matins and to prime,
To pious works and secular submission,
To prove to them that liberty was crime,--
This was, in fact, the Padre's present mission;
To get new souls perchance at the same time,
And bring them to a "sense of their condition,"--
That easy phrase, which, in the past and present,
Means making that condition most unpleasant.

He saw the glebe land guiltless of a furrow;
He saw the wild oats wrestle on the hill;
He saw the gopher working in his burrow;
He saw the squirrel scampering at his will:--
He saw all this, and felt no doubt a thorough
And deep conviction of God's goodness; still
He failed to see that in His glory He
Yet left the humblest of His creatures free.

He saw the flapping crow, whose frequent note
Voiced the monotony of land a