link between the Black and Aegean Seas, connected by the
Bosporus with the former, and by the Dardanelles, the Hellespont, with
the latter. The Sea of Marmora is 130 miles long. Seven miles to the
south the Princes' Islands float on the water like airy gardens, and
beyond in the blue distance are seen the mountains of Asia Minor.
You will acknowledge that this view is very wonderful. Your eyes wander
over two continents and two seas. You are in Europe, but on the
threshold of Asia; and when you look down on the Turks swarming below,
and at the graceful white boats darting across the sound, you may almost
fancy that you are in Asia rather than in Europe. You will also notice
that this fairway is an important trade route. Innumerable vessels pass
daily through the Bosporus to the coasts of Bulgaria, Rumania, Russia,
and Asia Minor, and as many out through the Dardanelles to Greece and
the Archipelago and to the coasts of the Mediterranean.
Close beneath you all the colours and outlines are distinct. The water
of the Bosporus is vividly blue, and the villas dazzlingly white. On the
Asiatic side stand woods of dark-green cypresses, and outside the
western wall Turks slumber in the deepest shade; cypresses, indeed, are
the watchmen of the dead. And all round the horizon this charming
landscape passes into fainter and lighter tones, light-blue and grey.
You cannot perceive clearly where the land ends and sea and sky begin.
But here and there the white wings of a sailing vessel flutter or a
slight puff of smoke floats above a steamer.
A continuous murmur reaches your ears. It is not wind, nor the song of
waves. It is the combined voice of nature and human labour. It is like
the buzzing round a beehive. Now and then you distinguish the cry of a
porter, the bell of a tramcar, the whistle of a steamer, or the bark of
a dog. But, as a rule, all melt together into a single sound. It is the
ceaseless noise that always hovers over the chimneys of a great city.
THE CHURCH OF THE DIVINE WISDOM
Let us now go down to the great mosque on the point. On the top of the
principal dome we see a huge gilded crescent. This has glittered up
there for 450 years, but previously the cupola was adorned by the
Christian Cross. How came the change about?
Let us imagine that we are standing outside the church and let the year
be 548 A.D. One of the finest temples of Christendom has just been
completed by the first architect of his time fro
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