here were portraits of Europeans, who, in the days of the great Shah
Abbas, flocked to his court, and even established themselves in the
city. In particular, I well recollected one in the very same painting in
which Shah Abbas himself is represented, whose dress was doubtless
the only proper costume to wear before a crowned head. I immediately
suggested this to my master, who mentioned it to the grand vizier, who
ordered that a copy of it should, without loss of time, be made by the
best artist of Ispahan, and sent to Tehran.
So soon as it arrived it was officially presented to the English elchi,
with a notification that the Shah was satisfied to receive him in the
same dress he wore before his own sovereign, a model of which was now
offered to him, and to which it was expected that he and his suite would
strictly conform.
The shouts of laughter which the infidels set up, upon seeing the
picture and hearing the message, are not to be described. They asked if
we thought them monkeys, that they should dress themselves as such at
our bidding, and were so obstinate in their resolution of keeping to
their own mode of attire, that at length they were permitted to do as
they chose.
The audience of the Shah passed off much better than could have
been expected from such rude and uncivilized people, and we were all
astonished that men, so unaccustomed to the manners and forms of the
world, should have conducted themselves on this difficult occasion
without committing some act that was flagrant and improper. The king was
seated on his throne of gold, dressed with a magnificence that dazzled
the eyes of the strangers, and made even his subjects exclaim, 'Jemshid?
who was he? or Darab? or Nushirvan? that they should be mentioned in
the same breath?' On the right and left of the throne stood the princes,
more beautiful than the gems which blazed upon their father's person.
At a distance were placed the three viziers of the state, those
depositaries of wisdom and good council; and, with their backs to
the wall, each bearing a part of the paraphernalia of the crown, were
marshalled in a row the black-eyed pages of royalty, who might be
compared to angels supporting planets from the starry firmament. In the
midst appeared the Franks, who, with their unhidden legs, their coats
cut to the quick, their unbearded chins, and unwhiskered lips, looked
like birds moulting, or diseased apes, or anything but human creatures,
when contrasted
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