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, _Magnhild_--an imperfect production, in which his ideas on social questions were seen to be in a state of fermentation, and gave expression to his republican sentiments in the polemical play called _The King_, to a later edition of which he prefixed an essay on "Intellectual Freedom," in further explanation of his position. _Captain Mansana_, an episode of the war of Italian independence, belongs to 1878. Extremely anxious to obtain a full success on the stage, Bjornson concentrated his powers on a drama of social life, _Leonardo_ (1879), which raised a violent controversy. A satirical play, _The New System_, was produced a few weeks later. Although these plays of Bjornson's second period were greatly discussed, none of them (except _A Bankruptcy_) pleased on the boards. When once more he produced a social drama, _A Gauntlet_, in 1883, he was unable to persuade any manager to stage it, except in a modified form, though this play gives the full measure of his power as a dramatist. In the autumn of the same year, Bjornson published a mystical or symbolic drama _Beyond our Powers_, dealing with the abnormal features of religious excitement with extraordinary force; this was not acted until 1899, when it achieved a great success. Meanwhile, Bjornson's political attitude had brought upon him a charge of high treason, and he took refuge for a time in Germany, returning to Norway in 1882. Convinced that the theatre was practically closed to him, he turned back to the novel, and published in 1884, _Flags are Flying in Town and Port_, embodying his theories on heredity and education. In 1889 he printed another long and still more remarkable novel, _In God's Way_, which is chiefly concerned with the same problems. The same year saw the publication of a comedy, _Geography and Love_, which continues to be played with success. A number of short stories, of a more or less didactic character, dealing with startling points of emotional experience, were collected in 1894; among them those which produced the greatest sensation were _Dust, Mother's Hands_, and _Absalom's Hair_. Later plays were a political tragedy called _Paul Lange and Tora Parsberg_ (1898), a second part of _Beyond our Powers_ (1895), _Laboremus_ (1901), _At Storhove_ (1902), and _Daglannet_ (1904). In 1899, at the opening of the National theatre, Bjornson received an ovation, and his saga-drama of _Sigurd the Crusader_ was performed. A subject which interested hi
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