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ticular. To those who have been there the name must, I think, always bring with it an imperishable recollection. Carcassonne is one of the unique places of the world. Years ago--as far back as the Romans, probably much further--there was a fortress on this hill, which commanded one of the chief roads into Spain. Afterwards it was used by the Visigoths, and in the Middle Ages it reached its highest importance under St. Louis. Then gradually it sank again into insignificance, and early last century there was a proposal that the ruins should be destroyed. By this time hardly anyone lived in the old city on the hill, a new and flourishing modern town (laid out in parallelograms) having sprung up in the plain. The demolition of the ancient ruins was prevented by one Cros-Mayrevieille, a native of Carcassonne, who succeeded in whipping up such enthusiasm on behalf of his birthplace that the city was made into a _monument historique_, and money was granted for its complete reconstruction by Viollet le Duc. A large sum has been spent, great works have been carried out, and the result is one of the most extraordinary feats of restoration in the history of the world. From afar off this city upon a hill makes a vivid appeal to the imagination. Its great assemblage of towers, walls, and battlements, rising clear-cut and majestic against the sky, suggests at the first glimpse one of those imaginary mediaeval cities that Dore loved to draw as illustrations to the _Contes Drolatiques_. So extraordinary is the apparition of this ancient, silent, fortified city existing in the midst of the railway epoch that one is tempted to think it a mirage, some strange trick of the senses, which, on rubbing the eyes, must disappear. And the nearer one draws, the more vivid does this impression become. Everything perfect, marvellously perfect, yet with no jarring hint of newness. It is well-nigh impossible at any time to tell where the original structure ends and where Viollet le Duc's restoration begins, and on what a grand scale it all is. By moonlight the effect was really glorious. My Goddess and I walked over a drawbridge and entered the silent, grass-grown streets of the old, old city, where quaint and ancient houses, given up now to the poor, huddle under the protecting walls of the great fortress. We were in a perfect mediaeval city, just as it existed in the time of the Crusades. In thus exactly realising the life of a garrisoned fortres
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