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y two or three hundred millions judiciously expended here by the government would make a city which would ever remain the pride of the whole people and command the admiration and respect of all the nations around this great ocean. Of what avail are art and architecture if they may not be employed in a cause like this? Here is an opportunity which the world has never before witnessed. With limitless wealth, with genius of as high an order as any that has gone before, with the stored experiences of all ages and nations--what better use can be made of it all than to establish at the nation's western gate a city which shall be the initial point of a new order of development? Away back in the days of Palmyra and Thebes the rulers of those cities seemed to understand it, if the people did not--that is to say, the value of embellishment. And had we now but one American Nebuchadnezzar we might have a Babylon at our Pacific seaport. For a six-months' world's fair any considerable city can get from the government five or ten millions. And why not? There's politics in it. Can we not have some of "those politics" for a respectable west-coast city? Would it not be economy to spend some millions on an industrial metropolis which should be a permanent world's fair for the enlightenment of the Pacific? The nation has made its capital beautiful, and so established the doctrine that art, architecture, and beautiful environment have a value above ugly utility. May we not hope for something a little out of the common for the nation's chief seaport on the Pacific, a little fresh gilding for our Golden Gate? THE END End of the Project Gutenberg EBook of Some Cities and San Francisco and Resurgam, by Hubert Howe Bancroft *** END OF THIS PROJECT GUTENBERG EBOOK SOME CITIES *** ***** This file should be named 2504.txt or 2504.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/5/0/2504/ Produced by David A. Schwan Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Projec
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