FREE BOOKS

Author's List




PREV.   NEXT  
|<   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51  
52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   >>   >|  
ted brick surfaces by covering them with reliefs, either geometrical (Moorish) or Gothic, either sunk into the wall or else the latter cut around the former. The aspect of these _Mudejar_ buildings is peculiar. In a ruddy plain beneath a dazzling blue sky, these red brick churches gleam thirstily from afar. Shadows play among the reliefs, lending them strength and vigour; the _alminar_ tower stands forth prominently against the sky and contrasts delightfully with the cupola raised on the apse or on the _croisee_. Among the finest examples of _Mudejar_ art, must be counted the brilliantly coloured ceilings, such as are to be seen in Alcala, Toledo, and elsewhere. These _artesonados_, without being Moorish, are, nevertheless, of a pronounced Oriental taste. A geometrical pattern is carved on the wood of the ceiling and brilliantly painted. Prominent surfaces are preferably golden in hue, and such as are sunk beneath the level are red or blue. The effect is dazzling. [Illustration: MUDEJAR ARCHITECTURE (SAHAGUN)] Unluckily, but little attention has been paid out of Spain to _Mudejar_ art, and it is but little known. Even Spanish critics do not agree as to the national significance of this art, and it is a great pity, as unfortunately the country can point to no other art phenomena and claim them to be Spanish. How can it, when the nation had not as yet been born, and, once born, was to die almost simultaneously, like a moth that flies blindly and headlong into an intense flame? IV CONCLUSION Spain geographically can be roughly divided into two parts, a northern and southern, separated by a mountain chain, composed of the Sierras de Guaderrama, Gredos, and Gata to the north of Madrid. Such a division does not, however, explain the historical development of the Christian kingdoms from the eighth to the fifteenth centuries, nor is it advisable to adopt it for an architectural study. During the great period of church-building, the nine kingdoms of Spain formed four distinct groups: Galicia, Asturias, Leon, and Castile; Navarra and Aragon; Barcelona and Valencia; Andalusia. The first group gradually evolved until Castile absorbed the remaining three kingdoms, and later Andalusia as well; the second and third groups succumbed to the royal house of Aragon. From an architectural point of view, there are three groups, or even four: Castile, Aragon, the Mediterranean coast-line, and Andalusia. In th
PREV.   NEXT  
|<   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51  
52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   >>   >|  



Top keywords:
Aragon
 

Andalusia

 

Castile

 
groups
 

kingdoms

 
Mudejar
 

Moorish

 

reliefs

 

geometrical

 

architectural


surfaces

 
brilliantly
 

Spanish

 

dazzling

 

beneath

 

composed

 

division

 

Gredos

 

Guaderrama

 
Sierras

Madrid

 

separated

 
CONCLUSION
 

intense

 

blindly

 

headlong

 

geographically

 
explain
 

southern

 
mountain

northern

 

roughly

 

divided

 

simultaneously

 
remaining
 

absorbed

 

gradually

 
evolved
 

succumbed

 

Mediterranean


Valencia

 
Barcelona
 

advisable

 

centuries

 

development

 

Christian

 

eighth

 

fifteenth

 

During

 

period