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art. It is the natural depth of a poet's emotions to fall in love with every lovely woman. The higher we rise in the intellectual scale, says a modern writer, the more varied, complex, and deep are the emotional groups which delight and torment the soul. Mental work does not extinguish passions; it feeds the flames, on the contrary, and unfits the brain-owner for matrimony. Only people who have uneventful, almost humdrum, lives are good subjects for matrimony and perfectly happy in marriage.' 'Then you do not admit the existence of the man who needs the quiet sympathy of a good domestic wife before his art becomes fully articulate?' 'No, because the artist constantly wants stimulants, and a domestic life is not stimulating. Now, do not misunderstand me. Marriage can make a man very happy, including the man with the strong artistic temperament, but I don't think that it helps him. I have come across hundreds of cases where artistic and literary efforts have been checked, and sometimes killed outright, by the petty cares and worries of domestic life. The brain-worker is very easily irked and tormented by the most trivial things. He is irritable and most sensitive. I have known literary men put right off their work for days simply because devoted wives came into their studies, and, after giving them an encouraging kiss, carried off their pens to make out their washing list. I have known painters whose faculties were positively benumbed by the presence of their wives. I have known dramatists who could never set to work in earnest before they had sent their families into the country or had themselves left home far behind them; and, mind you, these men were all fond of their wives.' 'You are not encouraging.' 'Will you have a cup of tea?' 'Thank you, with pleasure; but does marriage----' 'Do you take sugar?' 'If you please; but are there not cases----' 'And cream?' 'Please. Now, tell me----' 'What I think of the Paris Exposition?' 'Before I go, can't you say something nice about matrimony?' 'Yes, madame: Matrimony is highly respectable.' CHAPTER XVII THE GOOSE AND THE GANDER The case for man, the defendant--Freemasonry between women--Which is right?--Influence of plumage--The female bird--Man is not invariably wrong--'What is good for the goose is good for the gander'--But there is a difference between the goose and the gander. Women, who seldom miss an opport
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