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d feeling within every breast had been utterly transformed. The work of the sixteenth century had wrecked that tradition of religion, of knowledge, of political and social order, which had been accepted without question by the Middle Ages. The sudden freedom of the mind from these older bonds brought a consciousness of power such as had never been felt before; and the restless energy, the universal activity of the Renascence were but outer expressions of the pride, the joy, the amazing self-confidence, with which man welcomed this revelation of the energies which had lain slumbering within him. But his pride and self-reliance were soon dashed by a feeling of dread. With the deepening sense of human individuality came a deepening conviction of the boundless capacities of the human soul. Not as a theological dogma, but as a human fact, man knew himself to be an all but infinite power, whether for good or for ill. The drama towered into sublimity as it painted the strife of mighty forces within the breast of Othello or Macbeth. Poets passed into metaphysicians as they strove to unravel the workings of conscience within the soul. From that hour one dominant influence told on human action: and all the various energies that had been called into life by the age that was passing away were seized, concentrated, and steadied to a definite aim by the spirit of religion. [Sidenote: The Bible.] The whole temper of the nation felt the change. "Theology rules there," said Grotius of England only two years after Elizabeth's death; and when Casaubon was invited by her successor to his court he found both king and people indifferent to pure letters. "There is a great abundance of theologians in England," he says; "all point their studies in that direction." Even a country gentleman, like Colonel Hutchinson, felt the theological impulse. "As soon as he had improved his natural understanding with the acquisition of learning, the first studies he exercised himself in were the principles of religion." It was natural that literature should reflect the tendency of the time; and the dumpy little quartos of controversy and piety which still crowd our older libraries drove before them the classical translations and Italian novelettes of the age of the Renascence. But their influence was small beside that of the Bible. The popularity of the Bible had been growing fast from the day when Bishop Bonner set up the first six copies in St. Paul's. E
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