20. THE WOUNDED HEART.

Come bring your sampler, and with art
Draw in't a wounded heart
And dropping here and there:
Not that I think that any dart
Can make yours bleed a tear,
Or pierce it anywhere;
Yet do it to this end: that I
May by
This secret see,
Though you can make
That heart to bleed, yours ne'er will ache
For me.

21. NO LOATHSOMENESS IN LOVE.

What I fancy I approve,
_No dislike there is in love_.
Be my mistress short or tall,
And distorted therewithal:
Be she likewise one of those
That an acre hath of nose:
Be her forehead and her eyes
Full of incongruities:
Be her cheeks so shallow too
As to show her tongue wag through;
Be her lips ill hung or set,
And her grinders black as jet:
Has she thin hair, hath she none,
She's to me a paragon.

22. TO ANTHEA.

If, dear Anthea, my hard fate it be
To live some few sad hours after thee,
Thy sacred corse with odours I will burn,
And with my laurel crown thy golden urn.
Then holding up there such religious things
As were, time past, thy holy filletings,
Near to thy reverend pitcher I will fall
Down dead for grief, and end my woes withal:
So three in one small plat of ground shall lie--
Anthea, Herrick, and his poetry.

23. THE WEEPING CHERRY.

I saw a cherry weep, and why?
Why wept it? but for shame
Because my Julia's lip was by,
And did out-red the same.
But, pretty fondling, let not fall
A tear at all for that:
Which rubies, corals, scarlets, all
For tincture wonder at.

24. SOFT MUSIC.

The mellow touch of music most doth wound
The soul when it doth rather sigh than sound.

25. THE DIFFERENCE BETWIXT KINGS AND SUBJECTS.

'Twixt kings and subjects there's this mighty odds:
Subjects are taught by men; kings by the gods.

26. HIS ANSWER TO A QUESTION.

Some would know
Why I so
Long still do tarry,
And ask why
Here that I
Live and not marry.
Thus I those
Do oppose:
What man would be here
Slave to thrall,
If at all
He could live free here?

27. UPON JULIA'S FALL.

Julia was careless, and withal
She rather took than got a fall,
The wanton ambler chanc'd to see
Part