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. The political side of the reverential sentiment is equally conciliated, and the prime business of individuals and communities pronounced to be the search after worthy objects of this divine quality of reverence. While kings' cloaks and church tippets are never spared, still less suffered to protect the dishonour of ignoble wearers of them, the inadequateness of aggression and demolition, the necessity of quiet order, the uncounted debt that we owe to rulers and to all sorts of holy and great men who have given this order to the world, all this brought repose and harmony into spirits that the hollow thunders of universal rebellion against tyrants and priests had worn into thinness and confusion. Again, at the bottom of the veriest _frondeur_ with English blood in his veins, in his most defiant moment there lies a conviction that after all something known as common sense is the measure of life, and that to work hard is a demonstrated precept of common sense. Carlylism exactly hits this and brings it forward. We cannot wonder that Byronism was routed from the field. * * * * * It may have been in the transcendently firm and clear-eyed intelligence of Goethe that Mr. Carlyle first found a responsive encouragement to the profoundly positive impulses of his own spirit.[6] There is, indeed, a whole heaven betwixt the serenity, balance, and bright composure of the one, and the vehemence, passion, masterful wrath, of the other; and the vast, incessant, exact inquisitiveness of Goethe finds nothing corresponding to it in Mr. Carlyle's multitudinous contempt and indifference, sometimes express and sometimes only very significantly implied, for forms of intellectual activity that do not happen to be personally congenial. But each is a god, though the one sits ever on Olympus, while the other is as one from Tartarus. There is in each, besides all else, a certain remarkable directness of glance, an intrepid and penetrating quality of vision, which defies analysis. Occasional turgidity of phrase and unidiomatic handling of language do not conceal the simplicity of the process by which Mr. Carlyle pierces through obstruction down to the abstrusest depths. And the important fact is that this abstruseness is not verbal, any more than it is the abstruseness of fog and cloud. His epithet, or image, or trope, shoots like a sunbeam on to the matter, throwing a transfigurating light, even where it fails to
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