witha his wife, and a fair flock of
children in sanctuary, while he rushes to the battle-field: the
churchmen might receive their queenly charge with music: the Danes riot
in their unguarded camp with drinking-snatches, and old-country-staves:
a storm might occur, with elemental crash: the succeeding silence of
nature, and distant coming on of the patriot troops at midnight; their
war-songs and marches nearer and nearer; the invaders surprised in their
camp and in their cups; the hurlyburly of the fight--a hail-stone chorus
of arrows, a clash of thousand swords, trumpets, drums, and clattering
horse-hoofs; a silent interval, to introduce a single combat between
Alfred and Hubba the Dane, with Homeric challenges, tenor and bass; the
routed foe, in clamorous and discordant staccato; the conquerors
pressing on in steady overwhelming concord; how are the mighty
fallen--and praise to the God of battles!

Most briefly, then, thus: there is religion enough to keep it solemn,
without being so experimental as to intrude upon personal prejudice. The
notion is too slight, and too slenderly worked out, even for admission
here, if I were not still, my shrewd and mindful reader, sedulously
endeavouring to get rid of all my brain-oppressing fancies: and this,
happening to come uppermost as I write, finds itself caught, to my
comfort. It is commended, if worth any thing, to the musical proficient:
for I might as well think of adding a note to the gamut as of trying to
compose an oratorio.

* * * * *

The authorial mind is infinitely versatile: books and book-making are
indeed its special privilege, forte, and distinguishing peculiarity; but
still its thoughts and regards are ever cast towards originality of
idea, though unwritten and unprinted, in all the multitudinous
departments of science and of art. Thus, mechanical invention, chemical
discovery, music as above, painting as elsewhere, sculpture as below,
give it exercise continually. The authorial mind never is at rest, but
always to be seen mounted and careering on one hobby-horse or other out
of its untiring stud. If the coin of some rude Parthian, or the
fragments of some old Ephesian frieze, serve not as a scope for its
present ingenuities, it will break out in a new method of grafting
raspberries on a rosebush, in the comfortable cut of a pilot-coat, or
the safest machinery for a steamer. _Ne sutor ultra crepidam_ is a rule
of moderation it re