too--than the common run of magazine adventures. It may
not here be fair to particularize further than in the way of avowing my
unmitigated contempt for the exploits of highwaymen, swindlers, men
about town, and ladies of the _pave_. I protest against gilding crimes,
and palliating follies. Serve the public tables with better food, good
Pandarus. Those commentators on the Newgate calendar, those
bringers-into-fashion of the mysteries of vice, must not be quite
acquitted of the evils they have caused: brilliancy of dialogue, and
graphic power of delineation, are only weapons in a madman's hand, if
the moral be corrupting and profane. To cheerful, hearty,
care-dispelling humour, to such merry faces as Pickwick and
Co.--inimitable Pickwick--hail, all hail! but triumphs of burglary, and
escapes of murderers, aroint ye!
Why then should I throw this cargo overboard?--Friend, my ship is too
full; _if_ I could only do one thing at a time, and could finish it
within the limits of its originating fit, these things all might be less
abortive. But I doubt if my glorification of Greek aphorisms ever
reaches any higher apotheosis than the airy castles sketchily built
above.
* * * * *
Similar in idea with these last tales, but essentially more sacred as to
character, would be an illustrative elucidation of the seven last
sayings of our Blessed Lord, when dying in the crucifixion. The Romish
Church, in some of her imposing ceremonies, has caused the sayings to be
exhibited on seven banners, which are occasionally carried before the
holy cross: from this I probably derived the idea of detaching these
sentences from the frame-work of their contexts, and regarding them in
some sort as aphorisms. For a name, not to be tautologous, should be
proposed a Graeco-Anglicism,
THE HEPTALOGIA;
OUR SAVIOUR'S SEVEN LAST SAYINGS.
The addition of "hagia" might be rather too Attic for English ears; and
I know not whether "the Sacred Heptalogia" would not also be too
mystical. This series of tales is capable of like illustration with the
last, except in the matter of portraits, unless indeed some eminent
fathers of the church, or some authenticated enamels, gems, or coins,
(if any,) displaying our Lord's likeness, served the purpose; and of
course the character of the stories should not be much in dissonance
with the sacredness of the text. The first might well enforce
forgiveness of enemies, especially if t
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