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is Night. The Dawn hurries away from the pursuing Prince, the Sun, who, after a long search, overtakes her in her glorious robes of sunset. This tale is the Hindu _Sodewa Bai_, the Zuni _Poor Turkey Girl_, and the English _Rushen Coatie, Cap-o'-Rushes_, and _Catskin_. _Catskin_, which Mr. Burchell told to the children of the Vicar of Wakefield, is considered by Newell as the oldest of the Cinderella types, appearing in Straparola in 1550, while _Cinderella_ appeared first in Basile in 1637. _Catskin_, in ballad form as given by Halliwell, was printed in Aldermary Churchyard, England, in 1720; and the form as given by Jacobs well illustrates how the prose tale developed from the old ballad. The two most common forms of _Cinderella_ are Perrault's and Grimm's, either of which is suited to the very little child. Perrault's _Cinderella_ shows about twenty distinct differences from the Grimm tale:-- (1) It omits the Mother's death-bed injunction to Cinderella. (2) It omits the wooden shoes and the cloak. (3) The Stepmother assigns more modern tasks. It omits the pease-and-beans task. (4) It shows Cinderella sleeping in a garret instead of on the hearth. (5) It omits the Father. (6) It omits the hazel bough. (7) It omits the three wishes. (8) It substitutes the fairy Godmother for the hazel tree and the friendly doves. (9) It substitutes transformation for tree-shaking. (10) It omits the episode of the pear tree and of the pigeon-house. (11) It omits the use of pitch and axe-cutting. (12) It omits the false bride and the two doves. (13) It substitutes two nights at the ball for three nights. (14) It makes C. forgiving and generous at the end. The Sisters are not punished. (15) It contains slippers of glass instead of slippers of gold. (16) It simplifies the narrative, improves the structure, and puts in the condition, which is a keystone to the structure. (17) It has no poetical refrain. (18) It is more direct and dramatic. (19) It draws the characters more clearly. (20) Is it not more artificial and conventional? This contrast shows the Grimm tale to be the more poetical, while it is the more complex, and contains more barbarous and gruesome elements unsuited to the child of to-day. Of the two forms, the Grimm tale seems the superior
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