FREE BOOKS

Author's List




PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  
the fearful. Similar in structure to _The Three Bears_ is the Norse _Three Billy-Goats_, which belongs to the same class of delightful repetitive tales and in which the sequence of the tale is in the same three distinct steps. II. The Animal Tale The animal tale includes many of the most pleasing children's tales. Indeed some authorities would go so far as to trace all fairy tales back to some ancestor of an animal tale; and in many cases this certainly can be done just as we trace _Three Bears_ back to _Scrapefoot_. The animal tale is either an old beast tale, such as _Scrapefoot_ or _Old Sultan_; or a fairy tale which is an elaborated development of a fable, such as _The Country Mouse and the City Mouse_ or the tales of _Reynard the Fox_ or Grimm's _The King of the Birds_, and _The Sparrow and His Four Children_; or it is a purely imaginary creation, such as Kipling's _The Elephant's Child_ or Andersen's _The Bronze Pig_. The beast tale is a very old form which was a story of some successful primitive hunt or of some primitive man's experience with animals in which he looked up to the beast as a brother superior to himself in strength, courage, endurance, swiftness, keen scent, vision, or cunning. Later, in more civilized society, when men became interested in problems of conduct, animals were introduced to point the moral of the tale, and we have the fable. The fable resulted when a truth was stated in concrete story form. When this truth was in gnomic form, stated in general terms, it became compressed into the proverb. The fable was brief, intense, and concerned with the distinguishing characteristics of the animal characters, who were endowed with human traits. Such were the _Fables of AEsop_. Then followed the beast epic, such as _Reynard the Fox_, in which the personality of the animals became less prominent and the animal characters became types of humanity. Later, the beast tale took the form of narratives of hunters, where the interest centered in the excitement of the hunt and in the victory of the hunter. With the thirst for universal knowledge in the days following Bacon there gradually grew a desire to learn also about animals. Then followed animal anecdotes, the result of observation and imagination, often regarding the mental processes of animals. With the growth of the scientific spirit the interest in natural history developed. The modern animal story since 1850 has a basis of natural scienc
PREV.   NEXT  
|<   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   159   160   161   162   163   164   165   166   167   168  
169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   >>   >|  



Top keywords:

animal

 

animals

 

interest

 

primitive

 

characters

 

Scrapefoot

 
natural
 

Reynard

 

stated

 

traits


endowed
 

Fables

 

resulted

 

concrete

 

scienc

 

introduced

 

gnomic

 

general

 
intense
 

concerned


distinguishing

 
proverb
 

compressed

 

characteristics

 

hunters

 
anecdotes
 

result

 
observation
 

gradually

 

desire


imagination

 

spirit

 

history

 

developed

 

modern

 

scientific

 

growth

 
mental
 

processes

 

narratives


conduct
 
humanity
 

prominent

 
centered
 
excitement
 
universal
 

knowledge

 

thirst

 

victory

 

hunter