cannot tispose of dings dot are not mine," the good German answered
simply.

"Very well. I will summons you, you and M. Pons."

"It vould kill him--"

"Take your choice! Dear me, sell the pictures and tell him about it
afterwards . . . you can show him the summons--"

"Ver' goot. Summons us. Dot shall pe mine egscuse. I shall show him
der chudgment."

Mme. Cibot went down to the court, and that very day at seven o'clock
she called to Schmucke. Schmucke found himself confronted with M.
Tabareau the bailiff, who called upon him to pay. Schmucke made
answer, trembling from head to foot, and was forthwith summoned
together with Pons, to appear in the county court to hear judgment
against him. The sight of the bailiff and a bit of stamped paper
covered with scrawls produced such an effect upon Schmucke, that he
held out no longer.

"Sell die bictures," he said, with tears in his eyes.

Next morning, at six o'clock, Elie Magus and Remonencq took down the
paintings of their choice. Two receipts for two thousand five hundred
francs were made out in correct form:--

"I, the undersigned, representing M. Pons, acknowledge the receipt of
two thousand five hundred francs from M. Elie Magus for the four
pictures sold to him, the said sum being appropriated to the use of M.
Pons. The first picture, attributed to Durer, is a portrait of a
woman; the second, likewise a portrait, is of the Italian School; the
third, a Dutch landscape by Breughel; and the fourth, a _Holy Family_
by an unknown master of the Florentine School."

Remonencq's receipt was worded in precisely the same way; a Greuze, a
Claude Lorraine, a Rubens, and a Van Dyck being disguised as pictures
of the French and Flemish schools.

"Der monny makes me beleef dot the chimcracks haf som value," said
Schmucke when the five thousand francs were paid over.

"They are worth something," said Remonencq. "I would willingly give
you a hundred thousand francs for the lot."

Remonencq, asked to do a trifling service, hung eight pictures of the
proper size in the same frames, taking them from among the less
valuable pictures in Schmucke's bedroom.

No sooner was Elie Magus in possession of the four great pictures than
he went, taking La Cibot with him, under pretence of settling
accounts. But he pleaded poverty, he found fault with the pictures,
they needed rebacking, he offered La Cibot thirty thousand francs by
way of commission, and finally dazzled her with the sh