and of gold, taking
poor Poulain's little savings with him; and, to add insult to injury,
the opera-dancer treated him as an extortioner when he applied to her
for his money.

Not a single rich patient had come to him since he had the luck to
cure old M. Pillerault. Poulain made his rounds on foot, scouring the
Marais like a lean cat, and obtained from two to forty sous out of a
score of visits. The paying patient was a phenomenon about as rare as
that anomalous fowl known as a "white blackbird" in all sublunary
regions.

The briefless barrister, the doctor without a patient, are
pre-eminently the two types of a decorous despair peculiar to this
city of Paris; it is mute, dull despair in human form, dressed in a
black coat and trousers with shining seams that recall the zinc on an
attic roof, a glistening satin waistcoat, a hat preserved like a relic,
a pair of old gloves, and a cotton shirt. The man is the incarnation
of a melancholy poem, sombre as the secrets of the Conciergerie. Other
kinds of poverty, the poverty of the artist--actor, painter, musician,
or poet--are relieved and lightened by the artist's joviality, the
reckless gaiety of the Bohemian border country--the first stage of the
journey to the Thebaid of genius. But these two black-coated
professions that go afoot through the street are brought continually
in contact with disease and dishonor; they see nothing of human nature
but its sores; in the forlorn first stages and beginnings of their
career they eye competitors suspiciously and defiantly; concentrated
dislike and ambition flashes out in glances like the breaking forth of
hidden flames. Let two schoolfellows meet after twenty years, the rich
man will avoid the poor; he does not recognize him, he is afraid even
to glance into the gulf which Fate has set between him and the friend
of other years. The one has been borne through life on the mettlesome
steed called Fortune, or wafted on the golden clouds of success; the
other has been making his way in underground Paris through the sewers,
and bears the marks of his career upon him. How many a chum of old
days turned aside at the sight of the doctor's greatcoat and
waistcoat!

With this explanation, it should be easy to understand how Dr. Poulain
came to lend himself so readily to the farce of La Cibot's illness and
recovery. Greed of every kind, ambition of every nature, is not easy
to hide. The doctor examined his patient, found that every organ w