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ndon. _Gazette des Beaux Arts_, 1897, p. 279. BURCKHARDT. "Cicerone." Sixth edition, 1893. (Dr. Bode.) CONTI, A. "Giorgione, Studio." Florence, 1894. CROWE AND CAVALCASELLE. "History of Painting in North Italy," vol. ii. London, 1871. "Life of Titian." Two vols. FRY, ROGER. "Giovanni Bellini." London, 1899. GRONAU, DR. G. _Gazette des Beaux Arts_, 1894, p. 332. _Repertorium fuer Kunstwissenschaft_, xviii. 4, p. 284. "Zorzon da Castelfranco. La sua origine, la sua morte, e tomba." Venice, 1894. "Tizian." Berlin, 1900. LAFENESTRE, G. "La vie et l'oeuvre de Titien." Paris, 1886. LOGAN, MARY. "Guide to the Italian Pictures at Hampton Court." London, 1894. _Magazine of Art_, 1890, pp. 91 and 138. (Sir W. Armstrong.) 1893. April. (Mr. W.F. Dickes.) MORELLI, GIOVANNI. "Italian Painters." Translated by C.J. Ffoulkes. London, 1892. Vols. i. and ii. _passim_. MUeNTZ, E. "La fin de la Renaissance." Paris. New Gallery Catalogue of Exhibition of Venetian Art, 1895. PATER, W. "The Renaissance." Chapter on the School of Giorgione. London, 1893. PHILLIPS, CLAUDE. _Gazette des Beaux Arts_, 1884, p. 286. _Magazine of Art_, July 1895. "The Picture Gallery of Charles I." (_Portfolio_, January 1896). "The Earlier Work of Titian" (_Portfolio_, October 1897). _North American Review_, October 1899. _Repertorium fuer Kunstwissenschaft_. Bd. xiv. p. 316. (Herr von Seidlitz.) Bd. xix. Hft. 6. (Dr. Harck.) RIDOLFI, C. "Le Maraviglie dell' arte della pittura." Venice, 1648. Royal Academy. Catalogues of the Exhibitions of Old Masters. VASARI. "Le Vite." Ed. Sansoni. Florence, 1879. Translation edited by Blashfield and Hopkins, with Notes. London, 1897. VENTURI, ADOLFO. _Archivio Storico dell' Arte_, vi. 409, 412. _L'Arte_, 1900, p. 24, etc. "La Galleria Crespi in Milano," 1900. WICKHOFF, F. _Gazette des Beaux Arts_, 1893, p. 135. _Jahrbuch der Preussischen Kunstsammlungen_, 1895. Heft i. ZANETTI, A. "Varie Pitture," etc., with engravings of some fragments from the Fondaco de' Tedeschi frescoes, 1760. GIORGIONE CHAPTER I GIORGIONE'S LIFE Apart from tradition, very few ascertained facts are known to us as to Giorgione's life. The date of his birth is conjectural, there being but Vasari's unsupported testimony that he died in his thirty-fourth year. Now we know from unimpeachable sources that his death happened in October-November 1510,[1] so that, assuming Vasari's statement to be correc
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