, and in their eyes was the same look of fear
and horror. Bernhardi tells his countrymen that war is glorious, heroic,
and for a nation an economic necessity. Instead, it is stupid,
unintelligent. It creates nothing; it only wastes.
If it confined itself to destroying forts and cradles of barbed wire then
it would be sufficiently hideous. But it strikes blindly, brutally; it
tramples on the innocent and the beautiful. It is the bull in the china
shop and the mad dog who snaps at children who are trying only
to avoid him. People were incensed at the destruction in Louvain
of the library, the Catholic college, the Church of St. Pierre that dated
from the thirteenth century. These buildings belonged to the world,
and over their loss the world was rightfully indignant, but in Louvain
there were also shops and manufactories, hotels and private houses.
Each belonged, not to the world, but to one family. These individual
families made up a city of forty-five thousand people. In two days
there was not a roof left to cover one of them. The trade those people
had built up had been destroyed, the "good-will and fixings," the
stock on the shelves and in the storerooms, the goods in the
shop-windows, the portraits in the drawing-room, the souvenirs and
family heirlooms, the love-letters, the bride's veil, the baby's first
worsted shoes, and the will by which some one bequeathed to his
beloved wife all his worldly goods.
War came and sent all these possessions, including the will and the
worldly goods, up into the air in flames. Most of the people of Louvain
made their living by manufacturing church ornaments and brewing
beer. War was impartial, and destroyed both the beer and the church
ornaments. It destroyed also the men who made them, and it drove
the women and children into concentration camps. When first I visited
Louvain it was a brisk, clean, prosperous city. The streets were
spotless, the shop-windows and cafes were modern, rich-looking,
inviting, and her great churches and Hotel de Ville gave to the city
grace and dignity. Ten days later, when I again saw it, Louvain was in
darkness, lit only by burning buildings. Rows and rows of streets were
lined with black, empty walls. Louvain was a city of the past, another
Pompeii, and her citizens were being led out to be shot. The fate of
Louvain was the fate of Vise, of Malines, of Tirlemont, of Liege, of
hundreds of villages and towns, and by the time this is printed it will
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