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reat poets of Italy. Some knowledge of these is expected of every well-educated young person. In reading these romances, we cannot fail to observe how the primitive inventions have been used, again and again, by successive generations of fabulists. The Siren of Ulysses is the prototype of the Siren of Orlando, and the character of Circe reappears in Alcina. The fountains of Love and Hatred may be traced to the story of Cupid and Psyche; and similar effects produced by a magic draught appear in the tale of Tristram and Isoude, and, substituting a flower for the draught, in Shakspeare's "Midsummer Night's Dream." There are many other instances of the same kind which the reader will recognize without our assistance. The sources whence we derive these stories are, first, the Italian poets named above; next, the "Romans de Chevalerie" of the Comte de Tressan; lastly, certain German collections of popular tales. Some chapters have been borrowed from Leigh Hunt's Translations from the Italian Poets. It seemed unnecessary to do over again what he had already done so well; yet, on the other hand, those stories could not be omitted from the series without leaving it incomplete. THOMAS BULFINCH. CONTENTS LEGENDS OF CHARLEMAGNE Introduction The Peers, or Paladins The Tournament The Siege of Albracca Adventures of Rinaldo and Orlando The Invasion of France The Invasion of France (Continued) Bradamante and Rogero Astolpho and the Enchantress The Orc Astolpho's Adventures continued, and Isabella's begun. Medoro Orlando Mad Zerbino and Isabella Astolpho in Abyssinia The War in Africa Rogero and Bradamante The Battle of Roncesvalles Rinaldo and Bayard Death of Rinaldo Huon of Bordeaux Huon of Bordeaux (Continued) Huon of Bordeaux (Continued) Ogier, the Dane Ogier, the Dane (Continued) Ogier, the Dane (Continued) GLOSSARY LEGENDS OF CHARLEMAGNE INTRODUCTION Those who have investigated the origin of the romantic fables relating to Charlemagne and his peers are of opinion that the deeds of Charles Martel, and perhaps of other Charleses, have been blended in popular tradition with those properly belonging to Charlemagne. It was indeed a most momentous era; and if our readers will have patience, before entering on the perusal of the fabulous annals which we are about to lay before them, to take a rapid survey of the real his
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