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one who spoke English, and he made a place for me by his side. He was very willing to tell how he happened to be there, and he explained that he was the manager of a circus, which had been playing to very good business all winter in Spain. In an evil hour he decided to come to Italy, but he found the prices so ruinously low that he was forced to disband his company. This diving girl was all that remained to him of its many attractions, and he was trying to make a living for both in a country where the admission to a circus was six of our cents, with fifty for a reserved seat. But he was about to give it up and come to America, where he said Barnum had offered him an engagement. I hope he found it profitable, and is long since an American citizen, with as good right as any of us to wear a Prince Albert coat with a derby hat. III. There used to be very good circuses in Venice, where many Venetians had the only opportunity of their lives to see a horse. The horses were the great attraction for them, and, perhaps in concession to their habitual destitution in this respect, the riding was providentially very good. It was so good that it did not bore me, as circus-riding mostly does, especially that of the silk-clad jockey who stands in his high boots, on his back-bared horse, and ends by waving an American flag in triumph at having been so tiresome. I am at a loss to know why they make such an ado about the lady who jumps through paper hoops, which have first had holes poked in them to render her transit easy, or why it should be thought such a merit in her to hop over a succession of banners which are swept under her feet in a manner to minify her exertion almost to nothing, but I observe it is so at all circuses. At my first Venetian circus, which was on a broad expanse of the Riva degli Schiavoni, there was a girl who flung herself to the ground and back to her horse again, holding by his mane with one hand, quite like the goddess out of the bath-gown at my village circus the other day; and apparently there are more circuses in the world than circus events. It must be as hard to think up anything new in that kind as in romanticistic fiction, which circus-acting otherwise largely resembles. At a circus which played all one winter in Florence I saw for the first time-outside of polite society--the clown in evening dress, who now seems essential to all circuses of metropolitan pretensions, and whom I missed so
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