uld probably want to do all the talking yourself.
I want to ask you if you have visited any of the cheaper amusements of
this metropolis, or know anything of the really clever and charming
things one may see there for a very little money."

"Ten cents, for instance?"

"Yes."

I answered that I would never own to having come as low down as that; and
I expressed a hardy and somewhat inconsistent doubt of the quality of the
amusement that could be had for that money. I questioned if anything
intellectual could be had for it.

"What do you say to the ten-cent magazines?" my friend retorted. "And
do you pretend that the two-dollar drama is intellectual?"

I had to confess that it generally was not, and that this was part of my
grief with it.

Then he said: "I don't contend that it is intellectual, but I say that it
is often clever and charming at the ten-cent shows, just as it is less
often clever and charming in the ten-cent magazines. I think the average
of propriety is rather higher than it is at the two-dollar theatres; and
it is much more instructive at the ten-cent shows, if you come to that.
The other day," said my friend, and in squaring himself comfortably in
his chair and finding room for his elbow on the corner of my table he
knocked off some books for review, "I went to a dime museum for an hour
that I had between two appointments, and I must say that I never passed
an hour's time more agreeably. In the curio hall, as one of the
lecturers on the curios called it--they had several lecturers in white
wigs and scholars' caps and gowns--there was not a great deal to see, I
confess; but everything was very high-class. There was the inventor of a
perpetual motion, who lectured upon it and explained it from a diagram.
There was a fortune-teller in a three-foot tent whom I did not interview;
there were five macaws in one cage, and two gloomy apes in another. On a
platform at the end of the hall was an Australian family a good deal
gloomier than the apes, who sat in the costume of our latitude, staring
down the room with varying expressions all verging upon melancholy
madness, and who gave me such a pang of compassion as I have seldom got
from the tragedy of the two-dollar theatres. They allowed me to come
quite close up to them, and to feed my pity upon their wild dejection in
exile without stint. I couldn't enter into conversation with them, and
express my regret at finding them so far from their native boomerangs