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ure, the portrayal of Yankee character began before either of these artists was known; Lowell's Bigelow Papers first reflected it; Mrs. Stowe's Old Town Stories caught it again and again; Mrs. Harriet Prescott Spofford, in her unromantic moods, was of an excellent fidelity to it; and Mrs. Rose Terry Cooke was even truer to the New England of Connecticut. With the later group Mrs. Lily Chase Wyman has pictured Rhode Island work-life with truth pitiless to the beholder, and full of that tender humanity for the material which characterizes Russian fiction. Mr. James Lane Allen has let in the light upon Kentucky; the Red Men and White of the great plains have found their interpreter in Mr. Owen Wister, a young Philadelphian witness of their dramatic conditions and characteristics; Mr. Hamlin Garlafid had already expressed the sad circumstances of the rural Northwest in his pathetic idyls, colored from the experience of one who had been part of what he saw. Later came Mr. Henry B. Fuller, and gave us what was hardest and most sordid, as well as something of what was most touching and most amusing, in the burly-burly of Chicago. III. A survey of this sort imparts no just sense of the facts, and I own that I am impatient of merely naming authors and books that each tempt me to an expansion far beyond the limits of this essay; for, if I may be so personal, I have watched the growth of our literature in Americanism with intense sympathy. In my poor way I have always liked the truth, and in times past I am afraid that I have helped to make it odious to those who believed beauty was something different; but I hope that I shall not now be doing our decentralized literature a disservice by saying that its chief value is its honesty, its fidelity to our decentralized life. Sometimes I wish this were a little more constant; but upon the whole I have no reason to complain; and I think that as a very interested spectator of New York I have reason to be content with the veracity with which some phases of it have been rendered. The lightning--or the flash-light, to speak more accurately--has been rather late in striking this ungainly metropolis, but it has already got in its work with notable effect at some points. This began, I believe, with the local dramas of Mr. Edward Harrigan, a species of farces, or sketches of character, loosely hung together, with little sequence or relevancy, upon the thread of a plot which would kee
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