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d that the churches, ethical societies and reform associations in America do not more clearly appreciate the valuable aid they might receive from the stage. I have been told that some churches pay their singers more than their preachers, which shows that they have some idea of the value of good art. Why not go a step further and preach through a play? This does not mean that there should be no fun but that the moral should be well thrust home. I have heard of preachers who make jokes while preaching, so that it should not be so very difficult to act interesting sermons which would elevate, even if they did not amuse. People who went to church to see a theater would not expect the same entertainment as those who go to the theater simply for a laugh. In China we do not expend as much energy as Americans and Europeans in trying to make other people good. We try to be good ourselves and believe that our good example, like a pure fragrance, will influence others to be likewise. We think practice is as good as precept, and, if I may say so without being supposed to be critical of a race different from my own, the thought has sometimes suggested itself to me that Americans are so intent on doing good to others, and on making others good, that they accomplish less than they would if their actions and intentions were less direct and obvious. I cannot here explain all I mean, but if my readers will study what Li Yu and Chuang Tsz have to say about "Spontaneity" and "Not Interfering", I think they will understand my thought. The theater, as I have already said, was in several countries religious in its origin; why not use it to elevate people indirectly? The ultimate effect, because more natural, might be better and truer than more direct persuasion. Pulpit appeals, I am given to understand, are sometimes very personal. Since writing the above I have seen a newspaper notice of a dramatic performance in the Ethical Church, Queen's Road, Bayswater, London. The Ethical Church believes "in everything that makes life sweet and human" and the management state that they believe--"the best trend of dramatic opinion to-day points not only to the transformation of theaters into centers of social enlightenment and moral elevation, but also to the transformation of the churches into centers for the imaginative presentation, by means of all the arts combined, of the deeper truths and meanings of life." Personally, I do not know
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