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e stiff with standing. M. Simon had a temper, and at times he was particularly cross, and said all sorts of unhappy things to her. Tears at times, and childish grief over the dreadful weariness in her arms, but with it all not one word of remonstrance or complaint. Felix Simon knew everything. Her father knew what was best. The violin would swing round to the left, and she would lose sight of her elbow under it. There was nothing to do but to straighten up till the instrument stood in a line with her fat little turned up nose, and that elbow was in sight again. Then, that right wrist! How it did ache with the long, slow motions with the bow. And her limbs grew stiff with standing in one position till they fairly ached. If the violin was heavy, she would not mind it, and if she was tired, she would keep her eyes fixed on the strings and see that the bow lay flat and square on them as it went up and down, up and down, from the tip to the handle, over and over, again and again. Whatever happened, she would keep on. She was going to play. This was the way to learn. She would have patience. At home the same thing was repeated. Three hours practice every day with the dumb violin. And not only every day in the week, Sundays and all, but every week. Three whole months passed away, and then they said she had learned the positions, and the right motions. She could have some rosin on her bow and begin to play. This was progress. She was really getting on. Now she was to have some music. Nothing but the very dullest kinds of exercises; still, it was music, or something like it. Long sustained notes by the hour. The exercises were all written out with a pen by her master. Nothing but long slow notes. Not very interesting, certainly. She would not have agreed with you. To get a good tone, to make one pure, smooth note was worth the trying for, and she was content. The bow hardly moved, so slowly did she draw it up and down. The right arm stretched out to the full length, and then slowly back again, while the wrist bent slowly and gracefully. If she obtained nothing else, she would have a strong, clear tone, and learn to make a grand, full sweep with her bow. Speed and brilliancy would come in good time. Strength, power, and purity of tone were the things worth trying to reach. She would have no feeble, short strokes, but the wide, bold movements of a master hand. As the weeks grew to months, her fingers and arms gained
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